Women in the Cuban Revolution Essay Example

Women in the Cuban Revolution Essay Throughout the course of history, many revolutions have brought forth the greatest outcomes of a country. The Revolutionary movement of Cuba during 1959 was a pathway to independence and also a separation of gender roles fought by women. This Revolution for Independence is also a revolution in the changes of women roles. Women had legal rights that were protected by law due to the participation in the Revolution of Cuba equal codes gender, legal entitlements, and many other rights were created. The Cuban Revolution started in 1959 when a small group of guerrillas and urban insurrectionists overthrew the dictatorship of Fulgencio Batista. A transformation of government modernized Cuba, the redistribution of wealth, separation of church and state, and the economic and political power of selected Cuban families were changed by the socialistic Revolution fought by Fidel Castrov. Castrov’s new change in Cuba also affected women’s lives. Castrov said that, â€Å"A people whose women fight alongside men – that people is (sic) invincible. the traditional behaviors of women were challenged. Pre-Revolutionary women had minimal rights; they were bared by gender roles in the Latin American community. The Revolution affected all life-aspects of the Latin American continent; however, women were highly affected by the Revolution. President Batista created the Cuban Constitution of 1940 which prohibited the discrimination of sex. When Fidel Castrov began to challenge Batista’s administration, women from the middle and upper classes began to utilize their skills and supported Fiedel Castrov’s movements. We will write a custom essay sample on Women in the Cuban Revolution specifically for you for only $16.38 $13.9/page Order now We will write a custom essay sample on Women in the Cuban Revolution specifically for you FOR ONLY $16.38 $13.9/page Hire Writer We will write a custom essay sample on Women in the Cuban Revolution specifically for you FOR ONLY $16.38 $13.9/page Hire Writer The women used their skills in writing, networking, and they were â€Å"selling war bonds and producing rebel uniforms, taking part in propaganda work, participating in action and sabotaged units in the cities, transporting arms, and fighting in the mountains. † (Randall 1981, 22). The women support for Castrov’s movements has incredibly increased nationalism for the people of Cuba. â€Å"Cuba ought to be free and independent, and the government should be turned over to the Cuban people. † (McKinley), he support of women in Fidel Castrov’s Revolutionary movement in July 26 by the Women’s Marti Civic Front and the endless support of The Revolutionary Women’s Union (UFR) constituted the victory and pathway of equality for Cuban women. Feminists organized groups such as the UFR in which they began an extensive door-to-door campaign to fundraise and recruit. Women were arguably capable of doing any task a male can do at this time. Some Women were on the war-fronts fighting; they wielded weapons and shot enemies. Women also served as nurses and suppliers to the army, the contribution of women skillset also represented the importance and expectations of women during this time. These women changed traditional gender roles; they participated in the Revolution politically and militarily. In Havana, Cuba 1959 the first-women platoon, Mariana Grajales Brigade, found themselves a victory in the revolution. The women fought alongside the men and this – provided the necessary facts that women were important, the victory of these women guaranteed a positive change in the hierarchical status of gender. Melba Hernandez, the general of the first-women platoon states, â€Å"We [the women] of Cuba are revolutionists, we will fight for the equality of women for our future generations to come. † In the year 1960, the Federation of Cuban Women was recognized by the Cuban Government, they work to ensure the protection of Women’s Rights, and they are activists and politicians that still fight for gender equality. Women and men now share the same legal entitlements, job opportunities, sickness and maternal benefits, social security benefits, etc.

Overview of Night by Elie Wiesel

Overview of Night by Elie Wiesel Night, by Elie Wiesel, is a concise and intense account of the authors experience in Nazi concentration camps during the Holocaust. The memoir provides a good starting point for discussions about the Holocaust, as well as suffering and human rights. The book is short- just 116 pages- but those pages are rich and challenging and they lend themselves to exploration. Wiesel won the 1986 Nobel Prize. Use these 10 questions to keep your book club or class discussion of ​Night  challenging and interesting. Spoiler Warning Some of these questions reveal important details from the story. Be sure to finish the book before reading further.   10 Key Questions About Night   These 10  questions should start some good conversation, and most of them include mention of a few pivotal points that your club or class might want to explore as well.   At the beginning of the book,  Wiesel tells the story of Moishe the Beadle. Why do you think none of the people in the village, including Wiesel, believed Moishe when he returned?What is the significance of the yellow star?  One of the few things Wiesel describes is his childhood, and life before the Holocaust and is his faith. How does his faith change? Does this book change your view of God?How do the people Wiesel interacts with strengthen or diminish his hope and desire to live? Talk about his father, Madame Schachter, Juliek (the violin player), the French girl, Rabbi Eliahou and  his son, and the Nazis. Which of their actions touched you the most?What was the significance of the Jews being separated into right and left lines upon their arrival in camp?Was any section of the book particularly striking to you? Which one and why?At the end of the book, Wiesel describes himself in the mirror as a corpse gazing back at himself. In what ways did Wiesel die during the Holocaust? Does the memoir give you any hope that Wiesel ever started living again? Why do you think Wiesel titled the book Night? What are the literal and symbolic meanings of night in the book?How does Wiesels writing style strengthen his account?Could something like the Holocaust happen today? Discuss more recent genocides, such as the situation in Rwanda in the 1990s and the conflict in Sudan. Does Night teach us anything about how we can react to these atrocities? A Word of Caution   This is a difficult book to read in several ways, and you might find that it prompts some very provocative conversation. Wiesel was taken by the Nazis when he was just a teenager. You might find that some members of your club or your classmates are reluctant to wade into this, or conversely, that they get pretty fired up about issues of genocide and faith. Its important that everyones feelings and opinions be respected, and that the conversation prompts growth and understanding, not hard feelings. Youll want to handle this book discussion with care.

Provide an example of one of the forces in Porter's Five Forces Model Assignment

Provide an example of one of the forces in Porter's Five Forces Model - The threat of the entry of new competitors - Assignment Example American Boeing has 70% of the worldwide market share and is a prime manufacturer of engines and aircrafts. Remaining 30% is shared by Airbus. Boeing has established its market and brand name over the years and cannot be threatened by new entrants or competitors that easily. We can analyze that because of the high capital and technology requirement of the business, the entry barriers are quite high. The high entry barriers show that the threat of new entrants and thus for any competitors for Boeing is quite low. Any company to enter the industry and to compete with Boeing has to be financially stronger than Boeing. It has to bring in with it new and highly advanced technology to give fierce competition to the existing and established company. The initial investment or the startup cost in the airline industry is very high. An 800-seat plane that Boeing manufactures requires an investment of more than $10 billion. Competitors require huge costs and budget for research and development a nd production of the differentiated and unique product that Boeing produces. The threat of new competitors for Boeing is quite low it is because barriers of the knowledge and expertise required for the business as well.

Individual Argument Assignment Research Paper Example | Topics and Well Written Essays - 1000 words

Individual Argument Assignment - Research Paper Example The argument shows that God is responsible for allowing evil to exist. God has the power to stop evil by stopping the evil persons from that since there is evil in the world (Lavery & Hughes, 2008). Further, Einstein’s argument Evil is the absence of God, who exists shows a logical argumentation. Einstein uses the logic of the darkness and light to prove his argument. Einstein insists that cold and darkness was invented by people to explain the absence of heat and light. However, God did not create darkness and cold. Similarly, evil is the absence of God in the lives of the evil persons. Consequently, God did not create evil but some individuals chose to exercise their free will to be evil by making God from their daily lives (Asheim, 2006). Furthermore, there are weaknesses in the arguments between the professor and the student, Einstein. In every rule there is always an exemption. Just because God created everything does not literally include creating evil. On the other hand, individuals commit evil by refusing to obey God’s laws to be good citizens. In the Einstein statement Evil is the absence of God, who exists may not be all true. In the story of Noah’s Ark, God flooded the entire earth to kill the evil people of the world (Tucker, 2005). God can do something to remove the evil individuals from society. God can lend a hand to stop the evil persons’ acts. The use of a better premise will translate an argument to a more effective one. If the premise is erroneous, the conclusion is questionable. If the premise is logically persuasive, the conclusion is tenable (Louw, 1998). Further, the professor and Einstein could have done a better job at improving their concepts. The professor could have stated: God did not create everything in this world. The revised statement shows that persons exercise their free will to do evil acts by refusing to obey God’s laws. The professor is using wrong logical reasoning. Using the same argument, God

MACROECONOMICS Case Study Example | Topics and Well Written Essays - 1500 words

MACROECONOMICS - Case Study Example This results in the shift of the AD curve to the left. Aggregate supply (AS) is the total desired output of all the nations’ producer (Chrystal, p. 666). Since there is imported inflation in UK because of the rising oil prices, the AS is shifted leftwards as shown in the diagram below. Keynesians argue that demand (AD) finds its own supply. They stress about increasing AD or implementing policies that will stimulate aggregate demand. Monetary and Fiscal policies are demand-side policies; they serve to boost Aggregate demand. Aggregate demand can be increased by implementing expansionary fiscal policy like more government spending and lower tax rates and expansionary monetary policy which is reducing interest rates and increasing money supply. Classical economists are proponents of supply-side policies. They argue that supply finds its own demand. They are in favor of boosting aggregate supply through supply side policies like training and educating workers. Classical economist s argue that if AS increases due to supply-side policies, there will be less inflation. Inflation associated with production costs will be lowered. There is also lower structural and frictional unemployment as a result of increased AS. It works this way: increasing AS will require more workers so employers will start hiring. Since productivity increases as a result of increasing AS supply, a country like UK will be able to export more as a result of this. Q.b) This economic shock where the whole economy has slowed will result in workers being laid off and people who are already unemployed will find it very difficult to find a job. Cyclical unemployment or demand-deficient unemployment occurs whenever total demand is insufficient to purchase all of the economy’s potential output, causing a recessionary gap in which actual output is less than potential output (Chrystal, 2004, p. 595). It can be measured as the number of people who would be employed if the economy were at potent ial GDP minus the number of persons currently employed (Chrystal, 2004). Frictional unemployment results from the normal turnover of labor. Young people who enter the labor force and searching for jobs are an important source of frictional unemployment (Chrystal, 2004, p. 600). Also people who are planning to switch their present job are a source of frictional unemployment. Some people leave a job because of job-dissatisfaction and others are terminated. Structural unemployment occurs because structural adjustments can cause unemployment (Chrystal, 2004). Since the demand for labor is a derived demand, when the demand for product changes, the demand for labor also changes. If labor does not adjust as per the changing product demand, there is structural unemployment. Cyclical unemployment best describes the rising unemployment in the UK. Since UK is in the recessionary period of the business cycle, it means there is low economic activity and also there is less demand for the countryà ¢â‚¬â„¢s output. Hysteresis is a Greek word which means ‘coming late’ and in economics, it means that the current equilibrium is not independent of what has gone before- it is path dependent (Chrystal, 2004, p. 601). The impact of hysteresis on NAIRU (natural rate of unemployment) is that the NAIRU will be higher after periods of high unemployment than after periods of low unemployment. Through hysteresis, the shock

Examining The Network Simulations Of NS2 Information Technology Essay

Examining The Network Simulations Of NS2 Information Technology Essay NS2 is a Linux based tool to perform network simulations. NS2 is based on C++ and TCL programming Languages. TCL uses simple commands to define network configuration and C++ allows users to adjust protocol functionalities in detail and also to define new protocols. Our Project involves simulation of VoIP over two transport layer protocols UDP and SCTP. Installation of NS2: Installation of NS2 involves many steps. These Steps are: Checking for pre-requisites: Please make sure that you have installed the fedora 12 O.S with all packages and you are logged in as administrator. Downloading latest version of NS2: We first Downloaded NS2 v. 2.34 from: http://sourceforge.net/projects/nsnam/files/allinone/ns-allinone-2.34/ns-allinone-2.34.tar.gz/download Extracting the NS2 package: Extract the contents of .tar file in a directory and go into that directory. The following snapshot shows the extracted file against .tar file. Patching of SCTP module: Initially NS2 does not provide support to SCTP, so we have to download apply its patch before installation of NS2. The patch can be downloaded from http://pel.cis.udel.edu Now untar the patch in a directory and type the given command in terminal: patch -p0 Now we are ready to install NS2 with SCTP module. Installation of NS2 : We can either install NS2 by typing commands in the terminal. Or we can do this by simply double clicking the install file. The snapshot below shows the later. Now the installation has started. It would take some time to complete it. Configuring the installation path of NS2: The terminal will get get closed after installation of NS2. Now open terminal again and type: gedit ~/.bashrc to configure the path file Now edit this file as in the figure: Now save and close bash file and type following command in the terminal to tell your O.S about the path of NS2: source ~/.bashrc Confirming the installation of NS2: To confirm that NS2 is correctly installed, type ns in the terminal. The outlook of the terminal will be changed in this way: (Else it would print some filter of error in the terminal.) To revert to the normal mode type exit in the terminal. Running a simple code on NS2: NS2 executes .tcl file format. If you have followed all the previous steps, then you can execute a .tcl file by typing the following syntax in the terminal: ns [file name].tcl But make sure you are the directory where the .tcl file is present. e.g: Here we have a sample code script.tcl. In this code we are simulating a simple topology of two wired nodes. On typing ns script.tcl in the terminal, we get the following output: Handling the output trace file: On execution of .tcl code, two output files are generated. One is the .nam file with which we see the graphical simulation of our code. The other one is the .tr trace file, with which we can analyze the output of our simulation. The trace file looks like: It contains various parameters such as arrival time of packets, packet size transport agent etc. Using the trace file, we can get the graphical outputs to analyze the behavior of our simulation. To do this we need a graph drawing software such as xgraph or gnuplot. Here we are using gnuplot. But to draw a graph, we need to filter the trace file and get the coordinates out of which we can draw a graph. To filter a trace file, we write an awk script. Since we have to draw graphs for latency and throughput, therefore we will write one script for each type of graph. The awk script for latency is: #latency BEGIN { time1 = 0.0; time2 = 0.0; } { time2 = $2; if ($1==r) { printf(%f %fn, time1, time2) > latency; time1 += $2; } } END { print(Done); } And awk script for throughput is: #throughput BEGIN { node =1; time1 = 0.0; time2 = 0.0; num_packet=0; bytes_counter=0; } { time2 = $2; if (time2 time1 > 0.05) { thru = bytes_counter / (time2-time1); thru /= 1000000; printf(%f %fn, time2, thru) > throughput; time1 = $2; } if ($1==r) { bytes_counter += $6; num_packet++; } } END { print(Done); } Now type the following command in the terminal to filter the trace file: gawk file=[awk file name].awk [trace file name].tr The filtered file would be like this: Now weve to give a plot for which our graph is to be ploted. (i.e: weve to tell about the x and y coordinates) So we create a simple file in which we tell about these parameters. set title VoIP over UDP Latency! set grid set ylabel s set xlabel time plot latency w linespoints title voip throughput Now type gnuplot in the terminal to enter into gnuplot mode. Here type the command: load [x-y parameters file] (inner double quotes inclusive) And type exit to exit gnuplot Formation of VOIP Traffic over the Network: VoIP (Voice over IP) is simply the transmission of voice traffic over IP-based networks. The Internet Protocol (IP) was originally designed for data networking.   It is also referred to as IP  Telephony  or Internet Telephony. Simulating VOIP in NS2: VoIP is basically just UDP packets encapsulating RTP packets with the voice data inside, all you should need to do to simulate a VoIP stream is set the correct packet size and frequency that the packets are sent out and that would simulate a stream. In NS2 we will implement VOIP over UDP and SCTP protocols. We will implement VOIP using a simple two-node topology. For this we will do the following steps: create two .tcl files simulate VOIP traffic handle the trace files to draw graphs for latency and throughput for evaluation between the two protocols Simulation of VoIP over the network using UDP: Creating the tcl file:- First create a tcl file for Voip simulation over UDP protocol. Given below is the source code for our file voip_udp.tcl # start new simulation set ns [new Simulator] # setup tracing/nam set tr [open voip.tr w] set nf [open voip.nam w] $ns trace-all $tr $ns namtrace-all $nf # finish function, close all trace files and open up nam proc finish {} { global ns nf tr $ns flush-trace close $nf close $tr exec nam voip.nam exit 0 } ### creating nodes set node0 [$ns node] $node0 label Voice 1 $node0 color red set node1 [$ns node] $node1 label Voice 2 $node1 color blue # creating duplex-link $ns duplex-link $node0 $node1 256Kb 50ms DropTail $ns duplex-link-op $node0 $node1 orient right # setup colors $ns color 1 Yellow $ns color 2 Green ## 2-way VoIP connection #Create a UDP agent and attach it to node0 set udp0 [new Agent/UDP] $ns attach-agent $node0 $udp0 # set udp0 flowid to 1 $udp0 set fid_ 1 # Create a CBR traffic source and attach it to udp0 set cbr0 [new Application/Traffic/CBR] $cbr0 set packetSize_ 128 $cbr0 set interval_ 0.020 # set traffic class to 1 $cbr0 set class_ 1 $cbr0 attach-agent $udp0 # Create a Null sink to receive UDP set sinknode1 [new Agent/LossMonitor] $ns attach-agent $node1 $sinknode1 # Connect the UDP traffic source to Null sink $ns connect $udp0 $sinknode1 set udp1 [new Agent/UDP] $ns attach-agent $node1 $udp1 $udp1 set fid_ 2 set cbr1 [new Application/Traffic/CBR] $cbr1 set packetSize_ 128 $cbr1 set interval_ 0.020 $cbr1 set class_ 2 $cbr1 attach-agent $udp1 set sinknode0 [new Agent/LossMonitor] $ns attach-agent $node0 $sinknode0 $ns connect $udp1 $sinknode0 # end of voice simulation setup # start up traffic $ns at 0.1 $cbr0 start $ns at 0.1 $cbr1 start $ns at 10.0 $cbr0 stop $ns at 10.0 $cbr1 stop $ns at 10.5 finish # run the simulation $ns run Simulate VOIP traffic: Now type the following command in the terminal to view simulation of VOIP over UDP: ns voip_udp.tcl The output is: Performance of SCTP: Now we draw the graphs with gnuplot using above mentioned steps. The performance is evaluated on the basis of latency, throughput and capacity. The capacity can be evaluated with the help of latency and throughput. Latency: Throughput: Simulation of VoIP over the network using SCTP: Creating the tcl file:- First create a tcl file for Voip simulation over UDP protocol. Given below is the source code for our file voip_sctp.tcl # start new simulation set ns [new Simulator] # setup tracing/nam set tr [open voip.tr w] set nf [open voip.nam w] $ns trace-all $tr $ns namtrace-all $nf # finish function, close all trace files and open up nam proc finish {} { global ns nf tr $ns flush-trace close $nf close $tr exec nam voip.nam exit 0 } ### creating nodes set n0 [$ns node] $n0 label Voice 1 $n0 color red set n1 [$ns node] $n1 label Voice 2 $n1 color blue # creating duplex-link $ns duplex-link $n0 $n1 256Kb 50ms DropTail $ns duplex-link-op $n0 $n1 orient right # setup colors $ns color 1 Yellow $ns color 2 Green ## 2-way VoIP connection #Create a UDP agent and attach it to n0 set sctp0 [new Agent/SCTP] $ns attach-agent $n0 $sctp0 $sctp0 set fid_ 1 set cbr0 [new Application/Traffic/CBR] $cbr0 set packetSize_ 128 $cbr0 set interval_ 0.020 # set traffic class to 1 $cbr0 set class_ 1 $cbr0 attach-agent $sctp0 # Create a Null sink to receive Data set sinknode1 [new Agent/LossMonitor] $ns attach-agent $n1 $sinknode1 set sctp1 [new Agent/SCTP] $ns attach-agent $n1 $sctp1 $sctp1 set fid_ 2 set cbr1 [new Application/Traffic/CBR] $cbr1 set packetSize_ 128 $cbr1 set interval_ 0.020 $cbr1 set class_ 2 $cbr1 attach-agent $sctp1 set sinknode0 [new Agent/LossMonitor] $ns attach-agent $n0 $sinknode0 $ns connect $sctp0 $sctp1 $ns at 0.1 $cbr0 start $ns at 0.1 $cbr1 start # stop up traffic $ns at 10.0 $cbr0 stop $ns at 10.0 $cbr1 stop # finish simulation $ns at 10.5 finish # run the simulation $ns run Simulate VOIP traffic: Now type the following command in the terminal to view simulation of VOIP over UDP: ns voip_sctp.tcl The output is: Performance of SCTP: Now we draw the graphs with gnuplot using above mentioned steps. The performance is evaluated on the basis of latency, throughput and capacity. The capacity can be evaluated with the help of latency and throughput. Latency: Throughput: Difference between SCTP and UDP: SCTP: SCTP Stands for Stream Control Transmission Protocol. It is a Transport Layer protocol. It is a connection-oriented protocol similar to TCP, but provides facilities such as multi-streaming and multi-homing for better performance and redundancy. It is used in Unix-like operating systems. UDP: UDP stands for User Datagram Protocol. It is a minimal message-oriented transport layer protocol. It enables two hosts to connect and send short messages to one another. Unlike Transmission Control Protocol (TCP), it does not guarantee that data is received or that it is received in the order in which it was sent. Comparison between SCTP and UDP: Message Orientation: In SCTP, message boundaries are preserved. If an application sends a 100-byte message, the peer application will receive all 100 bytes in a single read: no more, no less. UDP provides a message-oriented service, but without SCTPs reliability. Un-Ordered Service: In addition to ordered message service (and parallel ordered service discussed above), SCTP offers the reliable delivery of messages with no order constraints. UDP provides unordered service, but again without SCTPs reliability. Unordered reliable delivery will be useful for many applications, in particular disk over LAN services (iSCSI, RDMA, etc.) where the application already provides ordering. Stronger checksum: SCTP uses a 32-bit end-to-end checksum proven to be mathematically stronger than the 16-bit ones-complement sum used by UDP. SCTPs better checksum provides stronger verification that a message passes end-to-end without bit errors going undetected. These were some of the differences between SCTP and UDP. A tabulated contrast between the two protocols is given below: Services/Features SCTP UDP Connection-oriented yes no Full duplex yes yes Reliable data transfer yes no Partial-reliable data transfer optional no Ordered data delivery yes no Unordered data delivery yes yes Flow control yes no Congestion control yes no ECN capable yes no Selective ACKs yes no Preservation of message boundaries yes yes Path MTU discovery yes no Application PDU fragmentation yes no Application PDU bundling yes no Multistreaming yes no Multihoming yes no Protection against SYN flooding attacks yes n/a Allows half-closed connections no n/a Reachability check yes no Psuedo-header for checksum no (uses vtags) yes Time wait state for vtags n/a SCTP vs. UDP Latency: From the graphs of latency we conclude that latency is slightly higher in UDP. In real practice, latency in UDP is much higher than in SCTP. Practically, the latency in UDP is about 15% more than SCTP. Throughput: From the graphs of throughput we see that UDP shows a constant but less throughput while SCTP shows continuous fluctuations in its graph. But overall SCTP has a higher throughput than UDP. In real practice, throughput in SCTP is about 15% more than in UDP. Capacity: By observing the graphs of throughput, we conclude the SCTP can support more capacity than UDP. UDP will loose its performance at higher data rates. Conclusion: From the above statistics, we conclude that SCTP is better than UDP in terms of latency, throughput and capacity. Therefore there is no doubt in the fact that that SCTP is going to be the future of VOIP and many other network technologies. But since this technology is under the process of evolution so it may take some time for it to replace the older technologies like UDP and TCP etc. Refrences: http://yonghoon.livejournal.com/4799.html http://www.isoc.org/briefings/017/index.shtml http://www.google.com/dictionary?source=dict-chrome-exsl=entl=enq=sctp http://www.google.com/dictionary?langpair=en|enq=udphl=enaq=f http://mailman.isi.edu/pipermail/ns-users/2006-August/056723.html http://books.google.com.pk/books?id=bF3L7g1u_mQCpg=PA189lpg=PA189dq=udp+vs+sctp+latency+throughputsource=blots=zdb5JeCsMfsig=PPt8c4nvtcrIJcXr5eKBIe_GbkQhl=enei=XhIgTYCeLs-z8QO8_KS8BQsa=Xoi=book_resultct=resultresnum=2ved=0CB4Q6AEwAQ#v=onepageqf=true

Comparing Thoreau’s Civil Disobedience and Kings Letter From a Birming

Comparing Thoreau’s Civil Disobedience and Martin Luther King's Letter From a Birmingham Jail The two essays, "Civil Disobedience," by Henry David Thoreau, and "Letter From a Birmingham Jail," by Martin Luther King, Jr., effectively illustrate the authors' opinions of justice. Each author has his main point; Thoreau, in dealing with justice as it relates to government, asks for "not at once no government, but at once a better government. King contends that "injustice anywhere is a threat to justice everywhere." Both essays offer a complete argument for justice, but, given the conditions, King's essay remains more effective, in that its persuasive techniques have more practical application. Both essays extensively implement both emotional and ethical appeal to give their respective ideas validity. One persuasive technique that each author implements to support his ideas emotionally is the use of biblical allusion. However, in comparison, King's use is stronger in that the tone of his allusions is more appealing to the reader. King's allusions cause the reader to want take action against injustice, whereas Thoreau's are darker -- more likely to make the reader want to submit to and accept the injustices portrayed. For example, King, in his first biblical allusion, manages to draw glory into his struggle by comparing himself with the Apostle Paul, feeling "compelled to carry the gospel of freedom beyond my particular home town," just as Paul "left his little village of Tarsus and carried the gospel of Jesus Christ to practically every hamlet and city in the Graeco-Roman world.. . ." This stirs admiration in the reader for King and adds relevance to his struggle. Later King discusses the history of his style of civil dis... ...ide: ". . .one does not remain inert to make way for the other, but both obey their own laws, and spring and grow and flourish as best they can, till one, perchance, overshadows and destroys the other." All three of these comparisons, while being beneficial to the essay's main idea, are too obscure and irrelevant to have any real persuasive power. Granted, both essays effectively implement both emotional and ethical appeal to the reader in order to be persuasive, and each, given the right conditions has the potential to be equally effective. But, given the conditions we are under, including the time frame, ("Civil Disobedience" was written over one hundred years before "Letter From a Birmingham Jail") King's essay, overall, features more of the characteristics, as well as the accessibility to produce a higher level of comprehension and relevance for the reader.

Brighton Rock by Graham Greene

In 1947 Donat O’Donnell wrote that â€Å"far more than the left-wing militancy of such poets as Auden and Spender†¦ the thrillers of Mr. Greene reflect the state of the West European mind in the thirties. † (25). For O'Donnell, Greene is â€Å"the most truly characteristic writer of the ‘thirties ir England, and the leading novelist of that time and place† (28). What Greene draws attention to in his novels from the period is, as McEwen notes, the condition of violence and savagery repressed beneath a seeming peace.Greene’s work such as Brighton Rock used the apparatus of the thriller to expose and investigate contemporary social problems; these novels are vehicles for social commentary particularly in the implicit equation they make between the violence and cruelty of their protagonists, Raven and Pinkie, and the background of poverty against which they are presented. This paper analyses Brighton Rock through a prism of narrative theory. In addi tion some socio-philosophical implications are discussed.Analysis In Brighton Rock Pinkie's gang murders Hale but only after he has made the acquaintance of Ida Arnold, a fun-loving pragmatist who repeatedly insists on her knowledge of the difference between right and wrong. Responding to an irrational compulsion—she calls herself a â€Å"sticker where right's concerned† (16)—she investigates Hale's death, seeking to bring Pinkie to justice and to save Rose the suffering that Pinkie will inflict upon her.Like Mather, Ida, despite fulfilling the role of the detective, is mocked by the narrative: her inability to see beneath the surface of things severely limits her understanding of the case and of the world she inhabits. Brighton for her is a place of fun and excitement, and life is always â€Å"good† (19, 72): â€Å"I always say it's fun to be alive† (17). The dark side, both of life and of the city with its beggars and its crime, is completely ali en to her (73):Death shocked her, life was so important. She wasn't religious. She didn't believe in heaven or hell, only in ghosts, ouija boards, tables which rapped . . . but to her death was the end of everything. . . . Life was sunlight on brass bedposts, Ruby port, the leap of the heart when the outsider you have backed passes the post and the colours go bobbing up. Life was poor Fred's mouth pressed down on hers in the taxi, vibrating with the engine along the parade. . .. she took life with deadly seriousness: she was prepared to cause any amount of unhappiness to anyone in order to defend the only thing she believed in. (36) Both her naive optimism, which has â€Å"something dangerous and remorseless† (36) in it, and her spiritual blindness prevent her from understanding Pinkie and Rose and account for the ironic tone that dominates many of the descriptions of Ida: Ida Arnold was on the right side. She was cheery, she was healthy, she could get a bit lit with the best of them.She liked a good time, her big breasts bore their carnality frankly down the Old Steyne, but you had only to look at her to know that you could rely on her. She wouldn't tell tales to your wife, she wouldn't remind you next morning of what you wanted to forget, she was honest, she was kindly, she belonged to the great middle law-abiding class, her amusements were their amusements, her superstitions their superstitions (the planchette scratching the French polish on the occasional table, and salt over the shoulder), she had no more love for anyone than they had. (80)This kind of mockery has led numerous critics to denigrate Ida for her lack of spiritual awareness (she boasts to Rose that â€Å"It's the world we got to deal with† [198]) and to elevate Pinkie to tragic stature because he professes a belief in a divine order (â€Å"it's the only thing that fits† [52], he says) wherein the crucial difference is not between right and wrong but between Good and Evil. In that Rose shares Pinkie's knowledge, she and Pinkie are presented both in the text and in critical discussions as morally superior to Ida and other characters like her such as Dallow, Cubitt, Colleoni, and Phil Corkery.The point is made particularly clear in comments made by Rose to Pinkie and in exchanges between Ida and Rose: â€Å"I only came here for your sake. I wouldn't have troubled to see you first, only I don't want to let the Innocent suffer†Ã¢â‚¬â€the aphorism came clicking out like a ticket from a slot machine. â€Å"Why, won't you lift a finger to stop him killing you? † â€Å"He wouldn't do me any harm. † â€Å"You're young. You don't know things like I do. † â€Å"There's things you don't know. † she brooded darkly by the bed while the woman argued on: a God wept in a garden and cried out upon a cross; Molly Carthew went to everlasting fire.â€Å"I know one thing you don't. I know the difference between Right and Wrong. They di dn't teach you that at school. † Rose didn't answer; the woman was quite right; the two words meant nothing to her. Their taste was extinguished by stronger foods—Good and Evil. The woman could tell her nothing she didn't know about these—she knew by tests as clear as mathematics that Pinkie was evil—what did it matter in that case whether he was right or wrong? (198) As is illustrated here, the narrative frequently contrasts two distinct views of the world—the secular outlook of Ida and others and the religious perception of Rose and Pinkie.From a social perspective there is no escaping the fact that Pinkie's evil makes him a criminal. However, as with Raven, Pinkie's guilt is mitigated by a background of poverty (â€Å"Man is made by the places in which he lives,† the text tells us [37]) and by the presence of Colleoni, a self-described â€Å"business man† (64), who, though the leader of a vast criminal organization, is also well reg arded by the Brighton police and by the Conservative party which seeks to persuade him into politics (159).As for Ida, whatever her shortcomings, she succeeds in her task of ridding society of Pinkie's menace, although the conditions that produced Pinkie, the source of the evil, remain. On one level, then, Ida is the instrument of law and order who brings about the socially desirable end, the social good, that Rose, representative of a religious or spiritual Good, cannot. Ida is, in this respect, a figure of the law defending a secular middle-class vision of society that relies on human justice which, as we have noted, Greene sees as both limited and limiting.On the other hand, criticism of Ida often seems to have at its root a prejudice against the detective story because it is a popular form of literature. Ida, herself, is strongly tied to popular culture, and in many respects she represents a populist spirit. The text tells us that â€Å"She was of the people, she cried in cinem as at David Copperfield, when she was drunk all the old ballads her mother had known came easily to her lips, her homely heart was touched by the word ‘tragedy'† (32). Similarly, her bed-sitting room contains the trappings of popular culture and an assortment of popular literature:pieces of china bought at the seaside, a photograph of Tom, an Edgar Wallace, a Netta Syrett from a second-hand stall, some sheets of music, The Good Companions, her mother's picture, more china, a few jointed animals made of wood and elastic, trinkets given her by this, that and the other, Sorrell and Son, the Board. (42) In one sense then, her success represents the triumph, albeit limited, of the popular. However, for critics like R. W. B. Lewis, Ida's â€Å"popular heart† (34) and her role as the investigating detective underpin the condemnation of her character and the neglect of her function in the book.In Lewis's eyes, the Ida Arnold plot threatens Brighton with the disaster of be ing two different books under the same cover (244): â€Å"The entertainment is Ida's; it begins with the first sentence . . . The tragedy is Pinkie's; it begins more subtly in the atmosphere of place† (243). As these remarks imply, not to condemn Ida is to elevate in their importance the book's detective-story aspects-something Lewis cannot and will not do. We can see in Brighton Rock how the detective story complements and underscores the narrative of Pinkie's religious struggle.To be fair, however, Lewis does recognize the interdependence of the two stories, despite his perception of â€Å"generic confusion† in the novel (239) the relation between the detective story and the tragedy expresses exactly what Brighton Hock is finally all about. It is a relation between modes of narrative discourse that reflects a relation between two kinds or levels of reality: a relation between incompatible worlds; between the moral world of right and wrong, to which Ida constantly and confidently appeals, and the theological world of good and evil inhabited by Pinkie and Rose.(244) However, we might add to these remarks that the relation between the two modes of narrative discourse can also be read as an inscription of the relationship between popular discourse and serious discourse. In the pure classical detective story that Todorov describes, the story of the crime becomes present in the text only through the story of the investigation; that is, the crime takes place outside the frame of the narrative and all its details are revealed only in the course of the investigation.The events leading to the crime make up a story that is seen only through its periodic intrusion by means of clues, or ciphers, into the story of the investigation which we read: we find out about the one story in the telling of the other. As Todorov figures it, this pattern reveals the two aspects that the Russian formalists identify as part of any story—fabula and sjuzhet—whe re the fabula is revealed only through the sjuzhet while yet providing the sjuzhet with the material of its own existence.However, as we have noted, to determine which of these two precedes the other is a task fraught with ambiguity, and this ambiguity is reflected in Brighton Rock's departures from the paradigm of the classical detective story. This ambiguity emerges in the novel's handling of the mechanics of the classical detective story's structure: Ida explicitly begins her pursuit at the place from which Hale disappeared (81) and then works to reconstruct the crime which, as even Pinkie realizes (86), is the standard investigative process.In a general sense, Ida traces over the previously laid path of Pinkie and his gang—an activity that is consistent with the structural dynamics of the classical detective story plot—and so figures the actions of the sjuzhet (the discourse) upon the material of the fabula (the story). As well, her retracing figures the act of wri ting that produces narrative as a rewriting of a prior narrative which is repressed in the later narrative although its existence is revealed in the later narrative—the narrative of the investigation—through the presence of clues which are the tangible signs marking the return of the repressed.However, in Brighton Rock Ida's pursuit of Pinkie intensifies the story of Pinkie's efforts to avoid capture. As Ida proceeds in her reading or events—explicitly linked to her reading of an occult text (â€Å"Fresuicilleye†)—she uncovers indications of Pinkie's story marked in the narrative's details, which in more orthodox detective fiction are formalized as clues: things such as Hale's dislike of Bass beer and his confession that he was â€Å"going to die† (18) arouse Ida's â€Å"instincts† so that she senses that â€Å"there is something odd† about Hale's death (31).Late; details that come out after his death, such as the fact that he used a false name (31), had bruises on his arms (79), and left a restaurant without eating despite telling Ida he was hungry (33), confirm Ida's suspicions that something is puzzling about the death while, at the same time, they reveal details of Pinkie's story. As the novel progresses, it becomes clear that Ida's investigation of Hale's death forces Pinkie's actions.Since the official investigators agree that Hale died of natural causes, they have closed the case (78-80), which means that it is only Ida whom Pinkie has to fear. In an odd way, then, Ida's search originates, explains, and validates all of Pinkie's actions from his courtship of Rose to his murder of Spicer to his attempt to arrange Rose's suicide: as Dallow accuses Ida late in the novel, â€Å"this is your doing. You made him marry her, you made him . . . † (236).To be sure, Pinkie fears that the police may ask questions about the man who left the card at Snow's, but, as we realize, they do not and will not reo pen their inquiry. In their place, though, is Ida. In this sense, the detective story plot determines the course of Pinkie's story; although, conversely, it is Pinkie's story that gives rise to the detective narrative. The two lines of action are entangled in each other with each standing as the origin of the other.Indeed, the question of origin is complicated further by the fact that the disturbance that excites the narrative of Brighton Rock into being—the murder of Hale—is considered an act of revenge: the initial action occurs in response to an earlier action—the murder of Kite—the story of which, though sporadically erupting into Pinkie's story (63, 218-19), lies in another narrative, another text; as the text explicitly remarks, â€Å"The whole origin of the thing was lost† (217).As a model of narrative mechanics, then, Brighton Rock, figures narrative's ability to perpetuate itself by inscribing within itself two separate narrative strands t hat generate and then feed on each other. Since Pinkie's story—the story of the crime—sparks Ida's story into life and since her investigation determines the content of Pinkie's story, each story can be seen as the origin of the other as each lies behind the other. Ida's investigation uncovers the contents of Pinkie's story, but his narrative also becomes the means by which Ida's story is discovered.To illustrate with just one example of how this works one can look at part 4, section 1 (99-120), where Pinkie and Spicer are at the race track. Although the storyline in the foreground involves Pinkie's betrayal of Spicer to Colleoni's men, one glimpses the other narrative line involving Ida. Spicer tells Pinkie about a woman who â€Å"backed Black Boy for a pony† (103). One then finds out that Black Boy won the race, and again Spicer mentions the woman who now has won so much money (104); the narrative goes on to report that Pinkie â€Å"heard a laugh, a female la ugh† which is attributed to the same woman (104-105).She is, of course, Ida, who bets on Hale's tip and so wins enough money to persist in the investigation. In this example one sees how the story of detection is revealed in the telling of Pinkie's story. Another way for us to see the relationship between the two narratives of Ida and Pinkie, of investigation and crime, is to think of either narrative strand as the repressed content of the other: each reveals its presence in intermittent clues that surface into the respective narrative.However, whichever way one chooses to view Brighton Rock again depends on one's point of view, but ultimately one is looking at the same thing. Greene reflects the indeterminate nature of narrative origins in his handling of the classical detective story's structure. As Brighton Rock stands, the story of the detection is interrupted by the story of the criminal, which reveals details of the crime; the two stories are presented in roughly alterna ting chapters occurring more or less along a shared timeline.The reader, then, gains knowledge of the circumstances of Hale's death from two sources, the chapters dealing with Ida and the chapters dealing with Pinkie. The two stories of the investigation and the crime become blurred in the novel as each begins to include the other. As if to underscore this blending of narrative, it is notable that the novel's first scene places Pinkie, Ida and Hale in the same room: murderer, detective, and victim have their stories begin at the same time in the same place. The novel figures, then, the indeterminate nature of narrative origin from its outset.Because Ida's investigation of events, metaphorically figured in her reading of an occult text, both reveals and determines the text she reads, we also see in Brighton Rock how the perceiving subject effects what it perceives, and in terms of reading the implications of this action are complex. On one level, reading a text actualizes that text f or the reader by inscribing it in the reader's consciousness where it previously did not exist. At the same time, the reader sees in the text what he or she is, in a sense, programmed to see through his or her experience of the â€Å"already-read†.This phenomenon lies behind the differing judgments on Brighton Rock: probable or improbable plot, proletarian novel or moral allegory, detective story or religious drama, light fiction or serious literature, entertainment or tragedy, and so on. However it is seen, the novel is the product of an interpretive act. Brighton Rock shows us both how these differences are generated and how they coexist within the textual field of the novel. The question of how texts are read is one of the issues at the heart of Brighton Rock.Perhaps more than in other detective stories, Brighton Rock foregrounds the reading process as a concern from the first page when we find Hale as Kolley Kibber following a route (itself prescribed by a text) through B righton in search of someone with a copy of The Daily Messenger in hand who can repeat a prepared text: â€Å"You are Mr. Kolley Kibber. I claim the Daily Messenger prize† (5). Language is, thus, explicitly figured as a code. The text stresses that the claim must be made â€Å"in the proper form of words† (5), and hence the possibility of arriving at a correct, univocal reading of a text, of fully understanding the code, is implied.However, since the challenge Hale receives ultimately results in his death, we see figured in Brighton Rock the inadequacy of such a simple method of reading. This possibility is confirmed in the larger investigation of reading that is enacted in the novel. As the detective, Ida is the reader of the fictions that Pinkie creates to explain Hale's, Spicer's, and, though it does not occur, Rose's deaths. In producing these fictions, Pinkie uses tangible signs, which are meant to mislead their reader. The cards he has Spicer lay along Hale's rou te are meant to stand as the visible traces of Hale's presence, as Hale's signature.Similarly, in preparing the story of Rose's suicide, Pinkie uses a note that Rose herself has written and insists that she â€Å"add a piece† to explain her death (231); for Rose, this involves â€Å"signing away more than her life† (227) because in committing suicide she commits a mortal sin which will, according to her belief, damn her. But in both instances, and particularly in the latter, the creation of a fiction is explicitly tied to the production of a written text, and in this way the act of detection that involves the reading of Pinkie's texts mirrors the activity of Greene's reader and of reading in general.Conclusion If Brighton Rock demonstrates the limitations of reading, it also insists upon the necessity of reading. Just as Chesterton described every detail within the urban landscape as a sign to be read by the detective in his or her search for truth, so is every detail within a detective story of potential significance to the reader's interpretation of the narrative. In Brighton Rock the experience of the world is figured in terms of reading; the world of Brighton is explicitly a world of text.Rose's father's face is â€Å"marked deeply with the hieroglyphics of pain and patience and suspicion† (142); â€Å"the edge of the sea is like a line of writing in whitewash: big sprawling letters† (152); and Ida, herself, is likened by the narrative to an enigmatic text that insists it be read: â€Å"she stood there like a wall at the end of an alley scrawled with the obscene chalk messages of an enemy† (196). In this context, reading becomes an unavoidable activity linked to power; those best able to read or even to offer convincing and authoritative readings are those who exercise power in this world.Both Ida and the police are confident in their interpretations of clues and events. The police, assigned the task of interpreting evide nce in order to determine whether or not a crime has been committed, produce their own reading of Hale's death. Their report presents a univocal interpretation of the details of the death and so preserves their power because in their eyes and in the eyes of the society the case is solved.The closing of the case thus maintains an impression of efficiency, which, in turn, justifies the authority conferred upon the police. As Edwin Muir wrote of Pinkie in a review of Brighton Rock, â€Å"he is an evil product of an evil environment, a living criticism of society, and on that plane genuine† (76). Muir's remarks could just as easily apply to Raven, who is said to be â€Å"made by hatred† (66). Indeed, because one of his obsessive boasts is â€Å"I'm educated† (15, 46), the social system that shapes Raven is severely criticized.In Brighton Rock there are hints of a repressed desire for goodness and peace in Pinkie that are seen in his emotional reactions to music, his recollection of his days in the church choir and his desire to be a priest, his faint stirring of tenderness for Rose and pity for Prewitt, and his sense of an â€Å"enormous emotion beating on him . . . the pressure of gigantic wings against the glass† as he drives Rose to what he assumes will be her death (242)—all of which indicate that Pinkie's evil arises out of the corruption of his innocence.In his case, the crippling effects of his environment destroy a natural tendency to goodness. The three â€Å"entertainments† that follow Brighton Rock, while not abandoning the social critique of the books from the thirties, become more obvious than Greene's text was in the interrogations of the thriller form and of the structures of authority—whether political, literary or textual—that exist within society. Bibliography Greene, Graham. Brighton Rock. 1938. Harmondsworth: Penguin, 1988._____________. Our Man in Havana. 1958. Harmondsworth: Penguin, 197 7. Lewis, R. W. B. â€Å"Graham Greene: The Religious Affair. † The Picaresque Saint: Representative Figures in Contemporary Fiction. Philadelphia and New York: Lipponcott, 1959. 220-74. McEwen, Neil. Graham Greene. Macmillan Modern Novelists. London: Macmillan, 1988. O'Donnell, Donat. â€Å"Graham Greene. † Chimera 5. 4 (Summer 1947): 18-30. Todorov, Tzvetan. The Poetics of Prose. 1971. Trans. Richard Howard. Ithaca: Cornell UP, 1977.

Compare and Contrast North and South Korea Essays

Compare and Contrast North and South Korea Essays Compare and Contrast North and South Korea Paper Compare and Contrast North and South Korea Paper The North Korea is dramatically different compared to the South Korea. Unlike China, which is rapidly developing its economy and diverging from the self-contained world, until this day North Korea still remains undeveloped and backward. Many of those who are not familiar with the affairs in the South and North Koreas might not understand why both regions, which are adjacent to one another, differs so much in terms of political, economic, and social developments. North Korea is a country which focuses heavily on its military forces, promotes a government succeeded by one family line, one autocrat, and one party, and rejects foreign innovations and investments taken place within the country. These, are all the characteristics that lead North Korea to its current backwardness. Compared to South Korean, North Korea was better off after the division of Korea partly because of its physical circumstances. As it could be seen from the geography of Korea, the division between both regions cuts off South Korea from the connecting land. South Korea was then left as an â€Å"island† relying on solely foreign support mainly from the United States. North Korea, on the other hand, had China as its neighbor, allowing it to preserve Korea’s historical origins and its Chinese heritage. The territory within the North Korea border also sustained high level of confidence because the Japanese had previously focused on the northern region for â€Å"industrial development due to its wealth of natural resources, especially its mineral deposits and hydroelectric potential. As a result, it had led to the emergence of northern Koreans whom acquired skills to operate in the industrial fields, leaving North Korea a considerable advantage in terms of human capital. As mentioned that North Korea was geographical connected to China and the Soviet Union, North Korea benefited from the aids given by these two countries and was politically and economically influenced by them. Additionally, China

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King Leonidas of Sparta and the Battle at Thermopylae Leonidas was a 5th century B.C. military king of the Greek city-state of Sparta. He is most well known for bravely leading a small force of Greeks, including the famous 300 Spartans, along with a few hundred Thespians and Thebans against the much larger Persian army of Xerxes, at the pass of ​Thermopylae in 480 B.C. during the Persian Wars. Family Leonidas was the third son of Anaxandridas II of Sparta. He belonged to the Agiad Dynasty. The Agiad Dynasty claimed to be decedents of Heracles. Thus, Leonidas is considered a decedent of Heracles. He was the half-brother of the late  King Cleomenes I of Sparta. Leonidas was crowned King after the death of his half-brother. Cleomenes died of a suspected suicide. Leonidas was made king because Cleomenes had died without a son or another, closer male relative to serve as a suitable heir and reign as his successor. There was also another tie between Leonidas and his half-brother Cleomenes: Leonidas was also married to Cleomenes only child, the wise  Gorgo, Queen of Sparta. Battle of Thermopylae Sparta received a request from the confederated Greek forces to help in defending and protecting Greece against the Persians, who were powerful and invading. Sparta, led by Leonidas, visited the Delphic oracle who prophesized  that either Sparta would be destroyed by the invading Persian army, or the king of Sparta would lose his life. The Delphic Oracle is said to have made the following prophecy: For you, inhabitants of wide-wayed Sparta,Either your great and glorious city must be wasted by Persian men,Or if not that, then the bound of Lacedaemon must mourn a dead king, from Heracles line.The might of bulls or lions will not restrain him with opposing strength; for he has the might of Zeus.I declare that he will not be restrained until he utterly tears apart one of these. Faced with a decision, Leonidas chose the second option. He was not willing to let the city of Sparta be wasted by the Persian forces. Thus, Leonidas led his army of 300 Spartans and soldiers from other city-states to face Xerxes in Thermopylae in August of 480 BC. It is estimated that the troops under Leonidas’ command numbered about 14,000, while the Persian forces consisted of hundreds of thousands. Leonidas and his troops fended off the Persian attacks for seven days straight, including three days of intense battle, while killing off large numbers of enemy troops. The Greeks even held off the Persian’s elite Special Forces known as ‘The Immortals.’ Two of Xerxes brothers were killed by Leonidas’ forces in battle. Eventually, a local resident betrayed the Greeks and exposed a back route of attack to the Persians. Leonidas was aware that his force was going to be flanked and taken over, and thus dismissed the vast majority of the Greek army rather than suffer more high casualties. Leonidas himself, however, remained behind and defended Sparta with his 300 Spartan soldiers and some other remaining Thespians and Thebans. Leonidas was killed in the resulting battle.

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